The Waterplant, mixed media on canvas by Susan T. Martin(sold)
The torment of Immobility
Riding a wave, tall as a mountain, I rush headlong thru my day
One project done, the next begun:
All clarity-no haze.
The transition came, I know not when(wound up on my butt again)
I wandered thru today amazed:
No clarity-just dazed.
When does it happen/Why?
I did not cause it/Did I?
Now huddled under an ocean of covers, immobilized for days
Not project done, not even begun
Just futility-today.
Where do I go to/Why?
I do not cause it/Do I?
I rode a wave, tall as a mountain, rushed headlong into here
The vast Empty, the foreboding, feeling death is very near,
The quiet is not tranquil, the peace turns into fear
Will I find the will to struggle, will my vision ever clear?
I would not wish this on an enemy, nor even onto me
This terrible stuckness, it's inevitability
Knowing it will leave doesn't help it go
The pros say that will, but they don't really know
I will find my meds, somehow take a few
Sleep a dreamless sleep, tomorrow start anew
Hope against all hope, stagnation soon will end
I will be on top to ride that wave again.
Did it hurt? No, of course not. (well, just a wee bit, maybe…)
Oh, the joys of waiting to hear if you got the “Call”. That’s what we artists refer to when we apply for a chance to get into a show, or to paint a mural, or design a sculpture, etc. It’s a process fraught with anxiety, not for the faint of heart. Not for the empty of pocket, either.
This last one did not cost me anything to apply to, which was good, because I did not get it. I am always disappointed when I don’t get in a show, it is a fact of life in the art world. I am becoming a bit cynical and jaded about this. I find myself making snide remarks(to myself) about favoritism and prejudice, and I don’t like this kind of negative thinking. On the one hand I think it’s just a self-soothing mechanism-if I say the process is unjust it means that my work really is the best. That I really should have been chosen.
Work in Progress for past 3 years!
I don’t think this is a good way for me to look at it. This kind of attitude will just make me negative about the whole process, the art community as a whole, and make me just as prejudiced as the people I am judging. Don’t think I’m saying what anyone else should think or feel, I just know how my quirky little mind works. My father spent his life feeling jaded and cynical about “the System”, and it reached the point where no one wanted to hear him go on about it.
I mean, just think about how the poison could seep into my art. If I’m second guessing the judges then maybe I will not try as hard, not push myself. Perhaps I’d rather not try, because they “don’t like me”. Or “they won’t pick me anyway.” Or “they only choose the society types”. If I let those thoughts in then my wings stay folded and I don’t try to fly, even when the cage door is open.
Fly birdie, fly!!!!
No, I didn’t get the call because someone else did. Period. No trying to mind read. No presuming I wasn’t chosen for a reason. How about remembering all the times I have been chosen, when another artist got passed over. Or how about knowing that my work is excellent, but different than what the judges were looking for.
I must create my best work no matter what the call, or even if there is NO call. My art comes from a deep and secret place far inside, not to be pissed out at the whim of a stranger. Sure, a call may motivate me, but ultimately my satisfaction must come from creating.
I remember being a little kid in art school, hiding my drawing from the other kids, because my work was so special that I had to protect it. I didn’t hide it because it was not good, I hid it so they could not copy it. It was the most special thing about me, a super power before any one knew about superpowers. I could make up any little dream and put it on a page and no one else could ever do it the same way. I wish I had a nickel for all my little fantasy doodles. I’m smiling as I remember.
I drew for the sheer joy of watching my inner world pour out the tip of my pen. I inhabited those secret worlds, where I was always “ok”. I did not need a prize, a ribbon, a write up in the paper. And the wonderful thing is that I still don’t need it. Over the past seven years that I have been showing my work my focus had turned to the idea of money. Making money from my art.
Not because I needed it, but because I am supposed to want that! I bought into the sales model. The websites that shout at me to join this or that marketing plan. Sell your art here! Make 5 grand a week! Be your own boss! While focusing on the money I began to sweat the call results. Did I get in to that show? What is the payout? How are the prizes broken down? What a bunch of joy-squishing nonsense!
I could see trying to make an impression on my Dad, but I knew he would never see me even when he was alive. Well, he sure can’t see me now, so I can quit trying to impress the family with my wealth ! I’m so glad we had this talk! Thanks for listening!
(No, I did not get the “Call for the Wall”, but I now have the coolest spare bugroom, um, bedroom, in the entire city !)
How true, how true that Pennsylvania Dutch saying is. I squander my art endeavors, rushing from this deadline to that, frazzled, befuddled and unsatisfied. That may be what drove Van Gogh insane, the constant turmoil to do better. I am making the presumption that perhaps the rapid cycling Bipolar Disorder that I enjoy(!) was somehow effecting him, too. Many artists share this mental illness, I know that The Ryan Licht Sang Bipolar Foundation has held Insights Art Exhibitions, to establish a permanent collection of works by artists who are effected by this disorder. I am proud to be one of the Founding Artists of that collection, and proud to know these beautiful people who have done so much to further research in the field.
Three years, three works of my art in this collection. It blows my mind, just as my art has been blowing peoples minds since I was a child. How easy I forget, and wallow in my mire. That is part of this disease also. The dark days, when no amount of internal dialogue can push me out of bed, out of the bleak landscape in my head. Do you think Van Gogh, or Matisse, or Dali had such dark times? What about Francis Bacon, Pollock, Warhol ?
Then why do I feel so alone in my efforts? Yes, I’m sure the worldwide pandemic has a dampening effect, on artists as well as everyone else. Perversely, I also treasure the isolation it affords me. No one can chastise my late hours, or visit to be aghast at the paint on my floor, on my walls, on me. I think I need to get out of the house more, go walk on the beach, visit a park. All things strange and alien nowadays. I know this will pass, I have been in counselling and under proffesionals care for my Bipolar Disorder and PTSD for nearly 30 years, I take my medication every single day, because I have been all the way down into the abyss and made friends with the monsters lurking there. Only to find out that they all wanted me dead. I don’t want to be dead. I can fully understand why I did, because this pain is all encompassing. I feel each cell screaming at me to give it relief.
Not too happy, guys…
The only thing I can do is paint myself into a painless reality, a utopia of color, a sweet dream of lavender and silk, a field of gold. When sleep won’t come I will disappear into the garden that flows out of my pen, winding its way into sweet fantasy-lands where no one is mean and there is no such thing as loneliness…
Out of the Gutter Art 
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