Tag: Family

  • It’s Cold, I’m Hungry

    It’s Cold, I’m Hungry

    42 Degrees in Fort Deposit, Alabama…

    Going through withdrawals on this night, in the woods alongside Interstate 8; I was a whining, bleary-eyed mess. My boyfriend and fellow addict, Danny, had just stolen 2 cans of tuna from an old country store across the four-lane highway. Night was setting in as he stabbed the cans with his buck knife, spilling tuna juice on the upturned, anxious face of our boxer dog, Spice. She was as hungry as I was, as the kitten, Binky-Boots was. And as surely hungry as Danny was too at that moment.

    We took turns, taking bites from the tuna can with our fingers; we each got two, the animals one apiece. Danny insisted we save the other can till morning, which seemed a freezing eternity away. Whether the longing to get high, the tightness in my stomach, or my freezing feet bothered me more I can’t recall. What I do remember is that dull ache in my feet soon became the most miserable as the temperature continued to drop.

    The rash decision to leave southeast Florida had been made only 18 hours before. We had loaded my 1970 Mach One in a frenzy, stuffing duffle bags, dog and cat into the back seat, and placing electronics he had stolen gently into the trunk. I had given Danny an ultimatum, make up his mind whether to leave for the West Coast with me that very night, or never see me again.

    I knew in my heart: if I didn’t leave Palm City that day, I wouldn’t live another. I had been an addict over a decade, only turning 23 a month before this crisis. In this span of time I my habit (and as of yet undiagnosed Bipolar Disorder) had resulted in a thirty day stint in a locked psych ward, a detox, a month in a Florida rehab and a year in the Martin County jail for Grand Theft. (The conviction stemmed from robbing the clothing store I managed in the Martin Square Mall. But I digress.)

    Getting back to our present dilemma roadside, an Alabama State Trooper has unkindly relieved me of my beloved Mustang when it had died along the Interstate. Danny and I hadn’t been there more than two hours, hood up, debating our next move. We decided we would take the “kids” and hitch a ride to a phone booth. There I would plead with my Mom to Western Union me enough money to fix the car and rent a room till the car was fixed. I would never get that chance because the aforementioned State Trooper rolled up while we were unloading the dog.

    “Looks like an abandoned vehicle to me” he stated, putting on his hat and rising to an impressive height. He continued, “Let me see some ID, the tow truck’s on it’s way.”

    I started to give some lame explanation of my plan, but realized he meant business. In just a few more words he let us know that non-compliance would not only include my car being impounded, but also our arrest for vagrancy and seizing of Spice and Binky. I think he saw visions of himself cruising the town in his hopped-up Mach One with the Boss 302 engine under it’s hood.

    Sigh…

    There was nothing to do but let him tow the car, and within the hour it was hitched up. The driver was “kind” enough to give all four of us a lift to the impound yard where we now unloaded all we could carry under the hostile glare of four or five “good ole boys” sitting on a porch. My shorts felt very short under their gaze, and we shouldered our bags and walked haltingly down the shoulder of the road. I looked back a couple times, longingly, at my prized muscle car behind the 12 foot fence. It probably belongs to Mr. Trooper’s grandson now…

    to be continued…

  • A “No” Blow to the Ego!

    A “No” Blow to the Ego!

    Did it hurt? No, of course not. (well, just a wee bit, maybe…)

    Oh, the joys of waiting to hear if you got the “Call”. That’s what we artists refer to when we apply for a chance to get into a show, or to paint a mural, or design a sculpture, etc. It’s a process fraught with anxiety, not for the faint of heart. Not for the empty of pocket, either.

    This last one did not cost me anything to apply to, which was good, because I did not get it. I am always disappointed when I don’t get in a show, it is a fact of life in the art world. I am becoming a bit cynical and jaded about this. I find myself making snide remarks(to myself) about favoritism and prejudice, and I don’t like this kind of negative thinking. On the one hand I think it’s just a self-soothing mechanism-if I say the process is unjust it means that my work really is the best. That I really should have been chosen.

    Work in Progress for past 3 years!

    I don’t think this is a good way for me to look at it. This kind of attitude will just make me negative about the whole process, the art community as a whole, and make me just as prejudiced as the people I am judging. Don’t think I’m saying what anyone else should think or feel, I just know how my quirky little mind works. My father spent his life feeling jaded and cynical about “the System”, and it reached the point where no one wanted to hear him go on about it.

    I mean, just think about how the poison could seep into my art. If I’m second guessing the judges then maybe I will not try as hard, not push myself. Perhaps I’d rather not try, because they “don’t like me”. Or “they won’t pick me anyway.” Or “they only choose the society types”. If I let those thoughts in then my wings stay folded and I don’t try to fly, even when the cage door is open.

    Fly birdie, fly!!!!

    No, I didn’t get the call because someone else did. Period. No trying to mind read. No presuming I wasn’t chosen for a reason. How about remembering all the times I have been chosen, when another artist got passed over. Or how about knowing that my work is excellent, but different than what the judges were looking for.

    I must create my best work no matter what the call, or even if there is NO call. My art comes from a deep and secret place far inside, not to be pissed out at the whim of a stranger. Sure, a call may motivate me, but ultimately my satisfaction must come from creating.

    I remember being a little kid in art school, hiding my drawing from the other kids, because my work was so special that I had to protect it. I didn’t hide it because it was not good, I hid it so they could not copy it. It was the most special thing about me, a super power before any one knew about superpowers. I could make up any little dream and put it on a page and no one else could ever do it the same way. I wish I had a nickel for all my little fantasy doodles. I’m smiling as I remember.

    I drew for the sheer joy of watching my inner world pour out the tip of my pen. I inhabited those secret worlds, where I was always “ok”. I did not need a prize, a ribbon, a write up in the paper. And the wonderful thing is that I still don’t need it. Over the past seven years that I have been showing my work my focus had turned to the idea of money. Making money from my art.

    Not because I needed it, but because I am supposed to want that! I bought into the sales model. The websites that shout at me to join this or that marketing plan. Sell your art here! Make 5 grand a week! Be your own boss! While focusing on the money I began to sweat the call results. Did I get in to that show? What is the payout? How are the prizes broken down? What a bunch of joy-squishing nonsense!

    I could see trying to make an impression on my Dad, but I knew he would never see me even when he was alive. Well, he sure can’t see me now, so I can quit trying to impress the family with my wealth ! I’m so glad we had this talk! Thanks for listening!

    (No, I did not get the “Call for the Wall”, but I now have the coolest spare bugroom, um, bedroom, in the entire city !)

  • Calling Down thru the Centuries

    Calling Down thru the Centuries

         Tracing a Trail of Tears…

       The Trail, so long ago. Now see the traces of hot tears down our dusty cheeks. Feel the same blood pumping thru these veins as in those:

        Red like the purest ruby, and it will pour forth if you cut us. Your words cut like the edge of a knife, a ruby red blade across a human throat.

       Do not gloat, you who know the glut of Buffalo meat, blood red heart still beating in hand, Son of man.

        A man of the Sun, of the People, the Black Hills, the Antelope Valley…The Mohawk mountains, man.  The salmon-colored sands of the Sonoran Desert.

       We chased the sidewinder, ran with roadrunners. Our feet bled walking empty highways, empty citrus groves, riding empty boxcars.

       We are women, tired and beaten. Down the tears ran like the scars on our back, scars on our heart.

       Where are you, raven-haired brother? Do you hear me , calling across the centuries?   

       Does my black mother bear my sorrow, black Mother-bear?

        Alone now; my voice reaches all the way around this broken bowl of me

       The wind washes the empty, clay basin of my soul…

       I am not whole-I wholly am not holy, man.

       Holy man, what is better than this sweet sorrow?

       Or more bitter medicine than this abiding pain, Medicine man?