Tag: death

  • What You Made Me Feel (Blue-Eyed Johnny)

    What You Made Me Feel (Blue-Eyed Johnny)

    Photo by Clement percheron on Pexels.com

    So Long Ago was Yesterday; I thought it was Gone…but I was wrong. I understand now; I was stuck Here all along.

    Now that I know, can I go?

    No. Not now, maybe not ever. You have to remember, see? I need you to remember me. My family long ago passed on, they kept my picture right above the mantle, and I carried theirs’. I carried ours. Draped it around my 18 year-old neck like the roses on a Derby winner; around my neck like the rifle I carried. Around my neck just like my dog tags-the one’s that made that certain sound when they touched. You must remember. I am not a ghost, there are no such things. I am just a memory, dead in the dust, gone like the wisp of smoke that curled from the tip of the gun that killed me. Remember me, now and then.

    A wisp of smoke…

    More now. The children are on the battlefields today- at this very minute-with eyes of cornflower blue. Searching the horizon, squinting against the glare of sunlight that slants off the desert rock like a razor. Blue eyes scanning roadsides, green eyes scouring midnight skies for tell-tale vapor trails. Brown eyes staring blindly back at the insides of their night vision goggles, looking into eternity.

    ” Sweet Child in time, you ought to see the line-the line that’s drawn between the goodness and the bad. See the blind man? He’s shooting at the world; the bullets flying, taking their toll…If you’ve been bad (lord, I’ll bet you have) and you’ve not been hit, not been hit by flying lead; you’d better close your eyes-you’d better bow your head…

    Wait for the ricochet.”

    ©DeepPurple Sweet Child in Time

    Flashback 937

    I came across this post I wrote a few years ago, and it resonates with me today in light of recent events. War is always the worst of mankinds’ inhumanity, nothing has changed in the years since Vietnam. I was a baby when first exposed to war thru a little black box that sat on a shelf next to where Mother sat me in my crib some 50 odd years ago. To this day the sound of chopper blades overhead stops me in my tracks; I peer up in questioning wonder-not sure what I am looking for. Maybe my Mom’s cammo-clad lover to rappel down and proclaim fatherhood of me, maybe for shots to ring out and stop my questions forever…

    Today I am exposed to a little black tablet that bombards me with images of my unborn sons and daughters dressed in their uniforms, riding in Hummers, riding in wheelchairs, riding in hearses, riding away, always away…Day after dreaded year the casualties mount while my one life ebbs away: How many have sacrificed themselves in my 57 years? Have I even cried that many tears in this lifetime? How many is enough (Children? Tears?) to give to the General’s who orchestrate this endless miserable charade.

    I feel sick. All the time. And when I think of Johnny, I cry. I know and I believe and I am promised and he is promised, PROMISED a resurrection by the One true Ruler of this Universe, so soon I will hold my soldier in my arms and look long into those crystal blue living eyes.

    Until then, I will think of Blue-Eyed Johnny, and I will remember…

    with love.

  • A “No” Blow to the Ego!

    A “No” Blow to the Ego!

    Did it hurt? No, of course not. (well, just a wee bit, maybe…)

    Oh, the joys of waiting to hear if you got the “Call”. That’s what we artists refer to when we apply for a chance to get into a show, or to paint a mural, or design a sculpture, etc. It’s a process fraught with anxiety, not for the faint of heart. Not for the empty of pocket, either.

    This last one did not cost me anything to apply to, which was good, because I did not get it. I am always disappointed when I don’t get in a show, it is a fact of life in the art world. I am becoming a bit cynical and jaded about this. I find myself making snide remarks(to myself) about favoritism and prejudice, and I don’t like this kind of negative thinking. On the one hand I think it’s just a self-soothing mechanism-if I say the process is unjust it means that my work really is the best. That I really should have been chosen.

    Work in Progress for past 3 years!

    I don’t think this is a good way for me to look at it. This kind of attitude will just make me negative about the whole process, the art community as a whole, and make me just as prejudiced as the people I am judging. Don’t think I’m saying what anyone else should think or feel, I just know how my quirky little mind works. My father spent his life feeling jaded and cynical about “the System”, and it reached the point where no one wanted to hear him go on about it.

    I mean, just think about how the poison could seep into my art. If I’m second guessing the judges then maybe I will not try as hard, not push myself. Perhaps I’d rather not try, because they “don’t like me”. Or “they won’t pick me anyway.” Or “they only choose the society types”. If I let those thoughts in then my wings stay folded and I don’t try to fly, even when the cage door is open.

    Fly birdie, fly!!!!

    No, I didn’t get the call because someone else did. Period. No trying to mind read. No presuming I wasn’t chosen for a reason. How about remembering all the times I have been chosen, when another artist got passed over. Or how about knowing that my work is excellent, but different than what the judges were looking for.

    I must create my best work no matter what the call, or even if there is NO call. My art comes from a deep and secret place far inside, not to be pissed out at the whim of a stranger. Sure, a call may motivate me, but ultimately my satisfaction must come from creating.

    I remember being a little kid in art school, hiding my drawing from the other kids, because my work was so special that I had to protect it. I didn’t hide it because it was not good, I hid it so they could not copy it. It was the most special thing about me, a super power before any one knew about superpowers. I could make up any little dream and put it on a page and no one else could ever do it the same way. I wish I had a nickel for all my little fantasy doodles. I’m smiling as I remember.

    I drew for the sheer joy of watching my inner world pour out the tip of my pen. I inhabited those secret worlds, where I was always “ok”. I did not need a prize, a ribbon, a write up in the paper. And the wonderful thing is that I still don’t need it. Over the past seven years that I have been showing my work my focus had turned to the idea of money. Making money from my art.

    Not because I needed it, but because I am supposed to want that! I bought into the sales model. The websites that shout at me to join this or that marketing plan. Sell your art here! Make 5 grand a week! Be your own boss! While focusing on the money I began to sweat the call results. Did I get in to that show? What is the payout? How are the prizes broken down? What a bunch of joy-squishing nonsense!

    I could see trying to make an impression on my Dad, but I knew he would never see me even when he was alive. Well, he sure can’t see me now, so I can quit trying to impress the family with my wealth ! I’m so glad we had this talk! Thanks for listening!

    (No, I did not get the “Call for the Wall”, but I now have the coolest spare bugroom, um, bedroom, in the entire city !)

  • Calling Down thru the Centuries

    Calling Down thru the Centuries

         Tracing a Trail of Tears…

       The Trail, so long ago. Now see the traces of hot tears down our dusty cheeks. Feel the same blood pumping thru these veins as in those:

        Red like the purest ruby, and it will pour forth if you cut us. Your words cut like the edge of a knife, a ruby red blade across a human throat.

       Do not gloat, you who know the glut of Buffalo meat, blood red heart still beating in hand, Son of man.

        A man of the Sun, of the People, the Black Hills, the Antelope Valley…The Mohawk mountains, man.  The salmon-colored sands of the Sonoran Desert.

       We chased the sidewinder, ran with roadrunners. Our feet bled walking empty highways, empty citrus groves, riding empty boxcars.

       We are women, tired and beaten. Down the tears ran like the scars on our back, scars on our heart.

       Where are you, raven-haired brother? Do you hear me , calling across the centuries?   

       Does my black mother bear my sorrow, black Mother-bear?

        Alone now; my voice reaches all the way around this broken bowl of me

       The wind washes the empty, clay basin of my soul…

       I am not whole-I wholly am not holy, man.

       Holy man, what is better than this sweet sorrow?

       Or more bitter medicine than this abiding pain, Medicine man?