Finding a new project is an enlightening occurrence. Feeling exhilaration and anticipation. Where will my imagination take me?
I feel new ideas stirring, a freestyle mood calling. Out of darkness comes new life, an unfurling seed, a vine of thriving, reaching thought. Fertile ‘mind soil’ feeds experimentation with color, shadow, shape… The sky expands before me: I fly!
Riding a wave, tall as a mountain, I rush headlong thru my day One project done, the next begun: All clarity-no haze. The transition came, I know not when(wound up on my butt again) I wandered thru today amazed: No clarity-just dazed. When does it happen/Why? I did not cause it/Did I? Now huddled under an ocean of covers, immobilized for days Not project done, not even begun Just futility-today. Where do I go to/Why? I do not cause it/Do I? I rode a wave, tall as a mountain, rushed headlong into here The vast Empty, the foreboding, feeling death is very near, The quiet is not tranquil, the peace turns into fear Will I find the will to struggle, will my vision ever clear? I would not wish this on an enemy, nor even onto me This terrible stuckness, it's inevitability Knowing it will leave doesn't help it go The pros say that will, but they don't really know I will find my meds, somehow take a few Sleep a dreamless sleep, tomorrow start anew Hope against all hope, stagnation soon will end I will be on top to ride that wave again.
Riding my wave, tall as a mountain, I run happily and play One project done, the next begun: All clarity-No haze... ©SusanTMartin2021allclarity
Due to the pandemic INSIGHTS IV was pushed forward to October 2021, again held at the Zolla Liebermann Gallery in Chicago. I wish I could have been there !!
Knowing you did your level best to create something worthy of hanging in an Art gallery, in a beautiful home. Knowing that gives me joy,
I love etching. I haven’t done a “real” etching in about 40 years; since high school. We had a brand new state-of-the-art printing press. It had been installed in 1978 and here I was, a couple years later in advanced art classes with the finest teacher I ever had, Mr. O’Hara. At the time I did not think I liked the man, he was always on my case, pushing me and prodding me to expand my horizons. All I wanted to do was get high and draw my trippy burnout monsters. These were the days of Frank Frazetta and Heavy Metal The Movie; my dreams were filled with animation and album covers. But Mr. O’Hara had this printing press. And he intended to make me use it.
First it was wood cuts. Hmmmm…This was pretty cool. One block, lots of options, different colors, placements and copies! Prints everywhere! I had written a poem about a nuclear holocaust, Mr. O’Hara had us make a book…I was impressed, and so were my Peers and parents. Which was unbelievable, they never turned the TV off long enough to know what color my hair was any given month. (It was many different colors, but not like today. We just had blue/black and red and blonde… I tried them all.) Getting back to the printing press, my curiosity was really piqued. Then we did a lino cut…again, very cool. I was into it now. Then he gave us some history and some homework.
Etching. Renaissance. Rembrandt. Etching. Albrecht Durer. Zinc Plate etchings. I was enthralled: Oh the detail. The crazy details. It was better than smoking dope! I am so grateful today to have had the chance to be taught by Mr. O’Hara. I have often wished I could contact him and thank him for pushing me. He really cared, and I will always be indebted to him for seeing who I could be.
These pieces aren’t etchings, they are oil pastel sgrafitto. To me, though, they have the feel of etchings. The tiny lines, intricate detail. Not like a finished etching, but those wonderful moments when you are scratching the eensy-weensy picture onto the plate. I have even gone so far as to ‘etch’ a lamp globe and a mannequin in the past few years! Oh, the long lost love of mine!!
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Oh, the joys of waiting to hear if you got the “Call”. That’s what we artists refer to when we apply for a chance to get into a show, or to paint a mural, or design a sculpture, etc. It’s a process fraught with anxiety, not for the faint of heart. Not for the empty of pocket, either.
This last one did not cost me anything to apply to, which was good, because I did not get it. I am always disappointed when I don’t get in a show, it is a fact of life in the art world. I am becoming a bit cynical and jaded about this. I find myself making snide remarks(to myself) about favoritism and prejudice, and I don’t like this kind of negative thinking. On the one hand I think it’s just a self-soothing mechanism-if I say the process is unjust it means that my work really is the best. That I really should have been chosen.
I don’t think this is a good way for me to look at it. This kind of attitude will just make me negative about the whole process, the art community as a whole, and make me just as prejudiced as the people I am judging. Don’t think I’m saying what anyone else should think or feel, I just know how my quirky little mind works. My father spent his life feeling jaded and cynical about “the System”, and it reached the point where no one wanted to hear him go on about it.
I mean, just think about how the poison could seep into my art. If I’m second guessing the judges then maybe I will not try as hard, not push myself. Perhaps I’d rather not try, because they “don’t like me”. Or “they won’t pick me anyway.” Or “they only choose the society types”. If I let those thoughts in then my wings stay folded and I don’t try to fly, even when the cage door is open.
No, I didn’t get the call because someone else did. Period. No trying to mind read. No presuming I wasn’t chosen for a reason. How about remembering all the times I have been chosen, when another artist got passed over. Or how about knowing that my work is excellent, but different than what the judges were looking for.
I must create my best work no matter what the call, or even if there is NO call. My art comes from a deep and secret place far inside, not to be pissed out at the whim of a stranger. Sure, a call may motivate me, but ultimately my satisfaction must come from creating.
I remember being a little kid in art school, hiding my drawing from the other kids, because my work was so special that I had to protect it. I didn’t hide it because it was not good, I hid it so they could not copy it. It was the most special thing about me, a super power before any one knew about superpowers. I could make up any little dream and put it on a page and no one else could ever do it the same way. I wish I had a nickel for all my little fantasy doodles. I’m smiling as I remember.
I drew for the sheer joy of watching my inner world pour out the tip of my pen. I inhabited those secret worlds, where I was always “ok”. I did not need a prize, a ribbon, a write up in the paper. And the wonderful thing is that I still don’t need it. Over the past seven years that I have been showing my work my focus had turned to the idea of money. Making money from my art.
Not because I needed it, but because I am supposed to want that! I bought into the sales model. The websites that shout at me to join this or that marketing plan. Sell your art here! Make 5 grand a week! Be your own boss! While focusing on the money I began to sweat the call results. Did I get in to that show? What is the payout? How are the prizes broken down? What a bunch of joy-squishing nonsense!
I could see trying to make an impression on my Dad, but I knew he would never see me even when he was alive. Well, he sure can’t see me now, so I can quit trying to impress the family with my wealth ! I’m so glad we had this talk! Thanks for listening!
(No, I did not get the “Call for the Wall”, but I now have the coolest spare bugroom, um, bedroom, in the entire city !)
I have been firing on ALL cylinders now that I am not pouring buckets of sweat every hour! The creativity seems boundless, and I can’t fire of work fast enough. I made myself slow down for one special piece I am so proud of. I’m holding it back from social media until the show. But that seems so far away! I will show you a little number entitled, ‘ The Marriage of King Turt to Brahma Mama’ .
Out of the Gutter Art 
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